Review: Circle of Pain (2010)

Oh my god! What did I do?”

Source

For the longest time I actively avoided MMA-themed action movies, especially the direct-to-video features that began coming out in the 2000s. Overall, I wasn’t wrong to do so, and Circle of Pain is an example why. While rising above the sheer unpleasantness of Never Surrender (2009) – the crown jewel of terrible cage fighting movies – this particular flick is heavily flawed from surface to core and ticks off a lot of personal peeves. Poor writing and bad fight scenes ahead.

The story: An ex-fighter (Tony Schiena) is strong-armed into a high stakes match with a cold-hearted champion (Heath Herring) by a greedy promoter (Bai Ling).

I watched the movie twice in one day, the second time with the commentary track, and this definitely made me appreciate it more. The film was shot in 12 days and the studio meddled with the script, so I’m more forgiving of its more obvious limitations – the small scale and rushed feel. Director Daniel Zirilli shows that he can do a lot with a little, so I’m interested to see what he’d do with more resources and less interference.

…Kinda. Even with regard to its disadvantages, the production doesn’t carry a lot of promise. Foremost, it doesn’t do much with its cast. Aside from the fact that it oversells three of the four stars on its cover (Kimbo Slice, Frank Mir, and Roger Huerta have a combined total of six scenes), the only performer coming out of it relatively well is Heath Herring, who knows how to play an asshole villain. Tony Schiena has some moves and charisma, but he comes across as a blockhead and isn’t particularly likable. Bai Ling will get her own paragraph in a moment. TV’s Louis Herthum is sort of a poor man’s Geoffrey Lewis as the lead’s tough old trainer. And then there’s Dean Cain, playing Schiena’s wheelchair-riding sidekick and no doubt handling the role even better than a genuine disabled actor could… Yeah, right! (It’s not a great role, though: he spends the film living vicariously through the protagonist, and the writers never realize that this isn’t a particularly positive trait.)

The film’s most exploitative feature isn’t violence but sex and nudity. There’s the expected breast shots, and they’re followed up by two or three scenes that are straight up softcore porn. This is strikingly at odds with the rest of the movie’s tone, and for good reason. Zirilli candidly admits that these parts were demanded by producers and that he doesn’t like them, saying that he’d probably prefer the TV version of the film. My biggest gripe on the matter is how it affects Bai Ling, who plays the only substantive female role in the picture. Ling’s part was rewritten from a male role, and the imposed changes seem to mainly be sexing her up ridiculously. (I just can’t see her male counterpart screwing Heath Herring in the gym.) The character’s overt sexuality symbolizes her power, but it’s also meant to demean her, especially when she’s rebuffed. It’s a messy, ungainly dynamic that’s only here because a woman is playing the role. For an infinitely less sexual take on a woman playing a villainous promoter, check out the English language Hong Kong flick Extreme Challenge (2001).

The fight scenes could be better. For some reason, MMA-themed action always looks better in theatrical features than on video, and the same is true here. The fights are kept down-to-earth and realistic out of necessity, but even though they improve throughout the picture, they’re just not very fun. Tony Schiena is a legitimate karate champion, and when he shows off some powerful-looking forms, I couldn’t help but wish he were in a Bloodsport sequel instead of this muddy schlock. The pro fighters do well enough, but having seen Roger Huerta fight in Tekken (2010), I was disappointed that he didn’t get a proper brawl. (He’s Herring’s trainer.)

Again, you can do worse than Circle of Pain in the MMA video genre, but why even go there? It’s bearable if you go in with low expectations and enjoy seat-of-the-pants filmmaking, but c’mon – that’s not what you’re here for. You’re here to watch your favorite pro fighters headline a killer action movie, and that’s just not what happens. Leave it be.

Source

Circle of Pain (2010)

Directed by Daniel Zirilli (Crossing Point)

Written by Bobby Mort (Scorched Earth), Daniel Zirilli (story), Sean Patrick O’Reilly (story)

Starring Tony Schiena (Locked Down), Bai Ling (Game of Assassins), Dean Cain (Lois & Clark: The New Adventures of Superman), Heath Herring (Chavez: Cage of Glory)

Cool costars: Louis Herthum (Westworld) as the trainer. The list of supporting fighters include Kimbo Slice (Blood and Bone), Frank Mir (Hell’s Chain), Roger Huerta (Tekken), Yves Edwards (Beatdown), Miguel Torres, Conner Brantley, and Carlo Prater.

Content warning: Sexual harassment, sexist & ableist dialogue, violence against the disabled

Title refers to: Literally, the caged ring which the fighters compete it…even though it’s not actually circular. Figuratively, it may refer to the destructive cycle of doubt and guilt that the protagonist deals with after paralyzing his best friend.

Cover accuracy: Slice, Mir, Huerta, and Herring certainly do appear in the movie, but their billing and promotion come at the expense of the actual leads. Also putting Slice ahead of Herring – both in billing and in placement – is a hard faux pas. The Tapout logo is better-placed, though, as it’s featured very prominently throughout.

Copyright Grindstone Entertainment Group / Lionsgate Home Entertainment

Review: Boyka – Undisputed 4 (2016)

image

Photo source

When Boyka:
Undisputed
4 was released last
year, I decided not to see it
at once. Part of this decision is
attributable
to the hipster in me and the fact that it
would be a popular movie, but also because I just
wasn’t thrilled that it’d been made. I maintain that Undisputed
III: Redemption
ended the Yuri
Boyka story as well as it could, giving the character an open-ended
conclusion and
raising
the bar for martial arts action in
the process. I thought that
further installments could
only be weak cash-ins,
ignoring
the standard that Scott Adkins and Isaac Florentine had set. And you
know what? I was right.
On its own, B:U4
is an okay adventure with above-average action, but as the successor
to one of the most defining martial arts features of our era, it’s
a major disappointment.

The
story: After unintentionally killing an
opponent in
the ring,
Yuri Boyka (Adkins) travels back to Russia to offer his condolences
to the fighter’s wife (Teodora Duhovnikova). Upon finding her under
the thumb of a local kingpin (Alon Aboutboul), he demands to fight in
an underground tournament in exchange for her freedom.

To
be fair, the movie is better than I expected in at least one
department.
Upon finding out that it
wouldn’t actually be directed by Florentine but Todor Chapkonov –
maker
of really horrible TV features – I expected a big
step down in style and technical quality, but I’m happy to say that
this isn’t the case. Chapkonov mimics Florentine’s spaghetti
western style to the point that I wouldn’t have guessed it was
anyone else behind the camera. Thematically,
however, the movie is trouble,
beginning with the premise of having Boyka out of prison. It’s
initially as odd as seeing Dr.
Lecter outside of the asylum in Hannibal,
but the movie
makes nothing of this.
There’s nothing to allude to Boyka’s incarceration, no
fish-out-of-water moments, and
no
acknowledgment that he’s irrevocably set apart from society.
Returning writers David White and Boaz Davidson had an
opportunity to expand the
character in unique ways, but instead
treat
the
movie
as they would any other story about a lone wolf tough-guy. What’s
the point?

Such
uninspired writing is the film’s biggest weakness. It really is but
another bland action yarn that just happens to be
part of
a revered franchise. Boyka does nothing
I didn’t expect of him
(beyond
uncharacteristically giving a darn about someone he’s killed),
and Alon Aboutboul’s villain is almost entirely predictable and
bland. Teodroa  Duhovnikova’s
grieving widow is a sexy lamp. Without
spoiling, the movie has Boyka’s story not come
full circle so
much as regressing – essentially keeping him in a place where it’ll
be convenient to add on future installments.

The
film’s strongest aspect is its action content, which – as always
– is
primarily
hand-to-hand fighting. The fact that B:U4
might fail to
live
up to its predecessor isn’t that important, as I’m happy with the
general standard that Adkins & Co. have created.
I enjoyed the juicy role given to genre staple Brahim
Achabbakhe and
appreciate seeing him make an impression both dramatically and
physically. Emilien De Falco is
great as Boyka’s doomed opponent. Andreas Nguyen and fight
choreographer Tim Man steal the show with their two-on-one match.
Disappointingly, these
and almost all other
fighters come across as interchangeable, rarely fighting with
distinguishable styles and even looking very
similar.
Martyn Ford has
a decent couple of matches and is easily the most intimidating Big
Bad of the series, and yet he’s also the most boring for the
complete lack of substance given to his two-scene character. Again,
I like the action content as a whole, but it pales to Adkins’ past
effort in both style and substance.

The
strengths of the fight scenes make it impossible for me to not
recommend the movie at all, but know that they’re the
only thing
it has going for it. I
say the Undisputed
franchise should’ve ended
gracefully
eight years ago, but I also think this unwanted addition had
the potential to
be a lot better. Thus, unless you’re a Scott Adkins completionist
or a major fan of Yuri Boyka, treat this as a rental.

image

Photo source

Boyka:
Undisputed 4

(2016)

Directed
by

Todor
Chapkonov (True
Bloodthirst
)

Written
by

Boaz Davidson (story), David N. White

Starring
Scott Adkins, Teodora
Duhovnikova (Corpse
Collector
),
Alon Aboutboul (The
Dark Knight Rises
),
Brahim
Achabbakhe (Dragonwolf)

Cool
costars:

Martyn
Ford (Accident
Man
),
Emlien De Falco (Dragonquest),
Andreas Nguyen (Luc
Van Tien
),
Tim
Man (Ninja: Shadow
of a Tear
),
Trayan Milenov-Troy (Undisputed
2: Last Man Standing
),
and
Velizar
Peev (Derailed)
all
play combatants. Bashar Rahal (Direct
Contact
)
also appears but doesn’t get in on the action.

Content
warning:

Violence towards women, sexual assault

Copyright
Millennium Films / Universal Pictures Home Entertainment

Review: Never Back Down – No Surrender (2016)

“Believe me, they will know about this fight on Mars"

image

Photo source

For reasons I can’t
explain, I hadn’t thought to look into the Never Back Down
series before now
and thereby completely
overlooked
that Michael Jai White had
expanded from martial arts star to
filmmaker. This
movie
actually gives me some hope for the future, as it’s virtually the
only one I’ve seen
show an interest in actually
carrying on the legacy of
martial arts videos’ glory days. Don’t give me another boring
Dolph Lundgren production if White’s making films. Of course, Never
Back Down: No Surrender
’s
not perfect – it’s
actually one of the few
movies of this sort where the problematic screenplay bothers me more
than any technical shortcomings. As
is, this one works best as a blueprint to improve on, but in
the meantime, it’s a very
watchable blueprint.

The story: Legendary
fighter Case Walker (Michael Jai White) travels to Thailand to train
his comrade Brody James (Josh Barnett) for a high-stakes title match,
but soon realizes that the promoter (Esai Morales) has shady
intentions.

NBD3
has so many real-life
influences that it’s practically
meta. There are numerous
connections
between Josh Barnett’s character and the actor’s
real-life competitive career,
many of them unflattering. Additionally,
the movie tackles the
ever-relevant issue of steroids in sports with
surprising zeal. Ironically,
this approach makes the
film’s frequent idealistic stances feel haphazard and naive, as
it presents
simplistic solutions to complex problems. Also, I didn’t like that
the story is full of unresolved issues: aside from the loose
thread of Casey taking on a couple of young proteges, it’s
uncomfortable that
the feature
allows
things like Brody’s blatant infidelity and the racism of some
supporting characters to
fade into the background. I also
didn’t like how a side-story regarding sexism towards a character
played by Jeeja Yanin is “resolved”
via sexism. Despite
all of this, the screenplay isn’t
weak: Case
Walker is likable enough,
and the story eschews
typical life-and-death setups in
favor of a political approach
that feels more suitable to
modern sports promotion. Not
every idea it has
pans out, but I can
appreciate a film for showing
me that it at least had thought behind
it.

How
much you enjoy the action content depends
on your tolerance of
unnecessary slow motion. Fight
choreographer Larnel Stovall delivers good stuff, but the fact that
only a couple of the eight fights
aren’t mucked about with
this editing technique
is disappointing.
Nevertheless, Michael Jai White remains one of the best performers in
modern martial arts films,
and this is apparent throughout the feature. Though he achieves
Hector Echavarria levels of self-glorification by including a scene
that puts him over a genuine MMA star
like Josh Barnett, he looks fantastic in whatever he does and
whoever he fights. He’s got
a great cast of supporting
kickers,
including Nathan Jones as the rival champion and genre
staples Brahim Achabbakhe,
Eoin
O’Brien, and Ron Smoorenburg as
various brawlers.
More impressive on paper but less so onscreen are the Thai stars: the
aforementioned Jeeja Yanin has a
single
fight and is barely a character, while Tony Jaa only shows up to make
a fool of himself in a comedy cameo. Seriously,
if
the poor quality and
infrequency of
Jaa’s most recent output
hasn’t
caused you to lose esteem for him, his buffoonish
scenes
here will do the trick.

Despite these disappointments, NBD3
is an enjoyable watch. Again, I’m pleased that MJW
chose
to be
a filmmaker: it’s good
knowing that the legacy of U.S. martial arts videos has a competent
torchbearer, and it’s important that the subgenre contains
perspectives other than those of white men.
The main problem remains
the movie’s screenplay, but
I’m hopeful that White will improve in that regard in
time. Even so, this one is
worth a look.

image

Photo source

Never Back
Down: No Surrender
(2016)

Directed
by

Michael Jai White

Written
by

Chris Hauty (Never
Back Down
1
& 2), Michael Jai White

Starring
Michael Jai White, Josh Barnett (Absolution),
Gillian White (Bamboozled),
Esai Morales (NYPD
Blue
)

Cool
costars:

Stephen Quadros (Sworn
to Justice
),
Nathan Jones (Tom
Yum Goong
),
Jeeja Yanin (Raging
Phoenix
),
Brahim Achabbakhe (Dragonwolf),
Ron Smoorenburg (Who
Am I
),
Damian Mavis (Kung
Fu Yoga
),
Amarin Cholvibul (Hard
Target 2
),
Eoin O’Brien (Kill
‘Em All
),
and Creighton Mark Johnson (Risk
for Honor
)
all appear in martial roles. Pro fighter Quinton Jackson cameos in a
little scene. Tony Jaa also cameos, but…I just can’t.

Content
warning:

Sexist
and racist dialogue, racially-motivated violence,
police brutality. There’s
also a scene where a transsexual prostitute is “humorously” outed
against her will.

Copyright
Sony Pictures Home Entertainment