Review: Circle of Pain (2010)

Oh my god! What did I do?”

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For the longest time I actively avoided MMA-themed action movies, especially the direct-to-video features that began coming out in the 2000s. Overall, I wasn’t wrong to do so, and Circle of Pain is an example why. While rising above the sheer unpleasantness of Never Surrender (2009) – the crown jewel of terrible cage fighting movies – this particular flick is heavily flawed from surface to core and ticks off a lot of personal peeves. Poor writing and bad fight scenes ahead.

The story: An ex-fighter (Tony Schiena) is strong-armed into a high stakes match with a cold-hearted champion (Heath Herring) by a greedy promoter (Bai Ling).

I watched the movie twice in one day, the second time with the commentary track, and this definitely made me appreciate it more. The film was shot in 12 days and the studio meddled with the script, so I’m more forgiving of its more obvious limitations – the small scale and rushed feel. Director Daniel Zirilli shows that he can do a lot with a little, so I’m interested to see what he’d do with more resources and less interference.

…Kinda. Even with regard to its disadvantages, the production doesn’t carry a lot of promise. Foremost, it doesn’t do much with its cast. Aside from the fact that it oversells three of the four stars on its cover (Kimbo Slice, Frank Mir, and Roger Huerta have a combined total of six scenes), the only performer coming out of it relatively well is Heath Herring, who knows how to play an asshole villain. Tony Schiena has some moves and charisma, but he comes across as a blockhead and isn’t particularly likable. Bai Ling will get her own paragraph in a moment. TV’s Louis Herthum is sort of a poor man’s Geoffrey Lewis as the lead’s tough old trainer. And then there’s Dean Cain, playing Schiena’s wheelchair-riding sidekick and no doubt handling the role even better than a genuine disabled actor could… Yeah, right! (It’s not a great role, though: he spends the film living vicariously through the protagonist, and the writers never realize that this isn’t a particularly positive trait.)

The film’s most exploitative feature isn’t violence but sex and nudity. There’s the expected breast shots, and they’re followed up by two or three scenes that are straight up softcore porn. This is strikingly at odds with the rest of the movie’s tone, and for good reason. Zirilli candidly admits that these parts were demanded by producers and that he doesn’t like them, saying that he’d probably prefer the TV version of the film. My biggest gripe on the matter is how it affects Bai Ling, who plays the only substantive female role in the picture. Ling’s part was rewritten from a male role, and the imposed changes seem to mainly be sexing her up ridiculously. (I just can’t see her male counterpart screwing Heath Herring in the gym.) The character’s overt sexuality symbolizes her power, but it’s also meant to demean her, especially when she’s rebuffed. It’s a messy, ungainly dynamic that’s only here because a woman is playing the role. For an infinitely less sexual take on a woman playing a villainous promoter, check out the English language Hong Kong flick Extreme Challenge (2001).

The fight scenes could be better. For some reason, MMA-themed action always looks better in theatrical features than on video, and the same is true here. The fights are kept down-to-earth and realistic out of necessity, but even though they improve throughout the picture, they’re just not very fun. Tony Schiena is a legitimate karate champion, and when he shows off some powerful-looking forms, I couldn’t help but wish he were in a Bloodsport sequel instead of this muddy schlock. The pro fighters do well enough, but having seen Roger Huerta fight in Tekken (2010), I was disappointed that he didn’t get a proper brawl. (He’s Herring’s trainer.)

Again, you can do worse than Circle of Pain in the MMA video genre, but why even go there? It’s bearable if you go in with low expectations and enjoy seat-of-the-pants filmmaking, but c’mon – that’s not what you’re here for. You’re here to watch your favorite pro fighters headline a killer action movie, and that’s just not what happens. Leave it be.

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Circle of Pain (2010)

Directed by Daniel Zirilli (Crossing Point)

Written by Bobby Mort (Scorched Earth), Daniel Zirilli (story), Sean Patrick O’Reilly (story)

Starring Tony Schiena (Locked Down), Bai Ling (Game of Assassins), Dean Cain (Lois & Clark: The New Adventures of Superman), Heath Herring (Chavez: Cage of Glory)

Cool costars: Louis Herthum (Westworld) as the trainer. The list of supporting fighters include Kimbo Slice (Blood and Bone), Frank Mir (Hell’s Chain), Roger Huerta (Tekken), Yves Edwards (Beatdown), Miguel Torres, Conner Brantley, and Carlo Prater.

Content warning: Sexual harassment, sexist & ableist dialogue, violence against the disabled

Title refers to: Literally, the caged ring which the fighters compete it…even though it’s not actually circular. Figuratively, it may refer to the destructive cycle of doubt and guilt that the protagonist deals with after paralyzing his best friend.

Cover accuracy: Slice, Mir, Huerta, and Herring certainly do appear in the movie, but their billing and promotion come at the expense of the actual leads. Also putting Slice ahead of Herring – both in billing and in placement – is a hard faux pas. The Tapout logo is better-placed, though, as it’s featured very prominently throughout.

Copyright Grindstone Entertainment Group / Lionsgate Home Entertainment

Review: Never Back Down – No Surrender (2016)

“Believe me, they will know about this fight on Mars"

image

Photo source

For reasons I can’t
explain, I hadn’t thought to look into the Never Back Down
series before now
and thereby completely
overlooked
that Michael Jai White had
expanded from martial arts star to
filmmaker. This
movie
actually gives me some hope for the future, as it’s virtually the
only one I’ve seen
show an interest in actually
carrying on the legacy of
martial arts videos’ glory days. Don’t give me another boring
Dolph Lundgren production if White’s making films. Of course, Never
Back Down: No Surrender
’s
not perfect – it’s
actually one of the few
movies of this sort where the problematic screenplay bothers me more
than any technical shortcomings. As
is, this one works best as a blueprint to improve on, but in
the meantime, it’s a very
watchable blueprint.

The story: Legendary
fighter Case Walker (Michael Jai White) travels to Thailand to train
his comrade Brody James (Josh Barnett) for a high-stakes title match,
but soon realizes that the promoter (Esai Morales) has shady
intentions.

NBD3
has so many real-life
influences that it’s practically
meta. There are numerous
connections
between Josh Barnett’s character and the actor’s
real-life competitive career,
many of them unflattering. Additionally,
the movie tackles the
ever-relevant issue of steroids in sports with
surprising zeal. Ironically,
this approach makes the
film’s frequent idealistic stances feel haphazard and naive, as
it presents
simplistic solutions to complex problems. Also, I didn’t like that
the story is full of unresolved issues: aside from the loose
thread of Casey taking on a couple of young proteges, it’s
uncomfortable that
the feature
allows
things like Brody’s blatant infidelity and the racism of some
supporting characters to
fade into the background. I also
didn’t like how a side-story regarding sexism towards a character
played by Jeeja Yanin is “resolved”
via sexism. Despite
all of this, the screenplay isn’t
weak: Case
Walker is likable enough,
and the story eschews
typical life-and-death setups in
favor of a political approach
that feels more suitable to
modern sports promotion. Not
every idea it has
pans out, but I can
appreciate a film for showing
me that it at least had thought behind
it.

How
much you enjoy the action content depends
on your tolerance of
unnecessary slow motion. Fight
choreographer Larnel Stovall delivers good stuff, but the fact that
only a couple of the eight fights
aren’t mucked about with
this editing technique
is disappointing.
Nevertheless, Michael Jai White remains one of the best performers in
modern martial arts films,
and this is apparent throughout the feature. Though he achieves
Hector Echavarria levels of self-glorification by including a scene
that puts him over a genuine MMA star
like Josh Barnett, he looks fantastic in whatever he does and
whoever he fights. He’s got
a great cast of supporting
kickers,
including Nathan Jones as the rival champion and genre
staples Brahim Achabbakhe,
Eoin
O’Brien, and Ron Smoorenburg as
various brawlers.
More impressive on paper but less so onscreen are the Thai stars: the
aforementioned Jeeja Yanin has a
single
fight and is barely a character, while Tony Jaa only shows up to make
a fool of himself in a comedy cameo. Seriously,
if
the poor quality and
infrequency of
Jaa’s most recent output
hasn’t
caused you to lose esteem for him, his buffoonish
scenes
here will do the trick.

Despite these disappointments, NBD3
is an enjoyable watch. Again, I’m pleased that MJW
chose
to be
a filmmaker: it’s good
knowing that the legacy of U.S. martial arts videos has a competent
torchbearer, and it’s important that the subgenre contains
perspectives other than those of white men.
The main problem remains
the movie’s screenplay, but
I’m hopeful that White will improve in that regard in
time. Even so, this one is
worth a look.

image

Photo source

Never Back
Down: No Surrender
(2016)

Directed
by

Michael Jai White

Written
by

Chris Hauty (Never
Back Down
1
& 2), Michael Jai White

Starring
Michael Jai White, Josh Barnett (Absolution),
Gillian White (Bamboozled),
Esai Morales (NYPD
Blue
)

Cool
costars:

Stephen Quadros (Sworn
to Justice
),
Nathan Jones (Tom
Yum Goong
),
Jeeja Yanin (Raging
Phoenix
),
Brahim Achabbakhe (Dragonwolf),
Ron Smoorenburg (Who
Am I
),
Damian Mavis (Kung
Fu Yoga
),
Amarin Cholvibul (Hard
Target 2
),
Eoin O’Brien (Kill
‘Em All
),
and Creighton Mark Johnson (Risk
for Honor
)
all appear in martial roles. Pro fighter Quinton Jackson cameos in a
little scene. Tony Jaa also cameos, but…I just can’t.

Content
warning:

Sexist
and racist dialogue, racially-motivated violence,
police brutality. There’s
also a scene where a transsexual prostitute is “humorously” outed
against her will.

Copyright
Sony Pictures Home Entertainment