Review: Showdown in Manila (2016)

“You know, I got international friends in low places…”

Source

It’s a shame that
the phenomenon of supergroup casting has grown old long before all of
its possibilities have been exhausted. The sad reality of filmmakers
regularly not making the most of all the names they can get under one
title is evident in Mark Dacascos’ freshman effort as a director,
which further depresses me by not making a strong case for
yesterday’s action heroes becoming filmmakers. Possibly the
greatest coming together of stars since the original Expendables
films,
Showdown in Manila nevertheless
feels like a forgettable
action-thriller featuring a bunch of nobodies.

The
story: Private investigators Nick Peyton (Alexander Nevsky) and
Charlie Benz (Casper Van Dien) track an assassination to an
international terrorist group. Eventually, they call in some comrades
to help capture its deadly leader (Cary-Hiroyuki Tagawa).

How
good the
movie is depends largely on
how well its big-name stars are utilized. Here’s my take on ‘em:

Alexander
Nevsky –
This
huge bodybuilder seems to be more of a star in Russia than North
America,
and thus I question having
him lead
a movie filled
with more recognizable action guys.
Judged on his merits, he’s not terrible

he makes more of his physical
size
than Dolph Lundgren and does well enough in
action scenes –
but
he’s in
desperate
need of charisma. For all his good looks, Nevsky remains a virtual
stranger to me even after the credits
rolled.
I
wouldn’t mind seeing him improve, but I don’t predict many U.S.
producers will line
up to put him in another starring role.

Casper
Van Dien –

As probably the cheapest ex-
A-lister on the market right now, it doesn’t
surprise me
that
ol’ Casper’s present,
but it
sure irritates
me.
He’s
playing yet another womanizing jerk, albeit with more chagrin and
humility
than expected.
It
breaks my heart to admit it,
but
he’s
actually one of the best things about th4
film. He’s not the only cast member with genuine charisma and
acting ability, but he is
the one with the most scenes. For
better or worse, he keeps the film from sinking until the other big
names show up.

Cary-Hiroyuki
Tagawa –
One
of the genre’s quintessential villain actors is well-placed
as the
bad guy, but he’s the first cast
member whose
presence is over-hyped. The number of scenes he’s in can be counted
on one hand, and while you can count on his considerable screen
presence whenever he’s on camera, he barely gets in on any of the
action. Also, for what could’ve
been a monumental B-movie, his character’s pretty weak and
comes to kind of a disappointing end.

Tia
Carrere –
As
Carrere hasn’t
had much to do as an action hero since Relic
Hunter
,
I
wasn’t expecting much of her and thus was delighted when she
briefly partakes in a quick fight scene! Honestly, though, there’s
no reason to get excited. Despite
being an important character, she
largely drops out of the film after the early scenes and is wasted as
a draw.

Mark
Dacascos –

Already
taking on the role of
director, it may have been wiser
for Mark to remain behind the camera entirely
and
not tease us with an early appearance. He has a single scene, and
while he manages to fit a brawl
in there, I
can’t help but miss him throughout the remaining runtime. His
character is the linchpin of the story but I would’ve preferred a
lesser-known actor in the role, as I wouldn’t have spent the rest
of the movie thinking about how much better it would
be if he were
still in it.

Matthias
Hues –

Hues
plays pretty much the same blonde enforcer he
always
has
but with a lot less screen time. Ironically, he has more lines in his
handful of scenes than he’s had in entire
vehicles.
He’s also in
the
only
dream match-up this film offers,
as he engages Casper Van Dien in a short and one-sided fistfight.
Afterwards,
Nevsky
takes him out with one punch.

Don
Wilson, Cythnia Rothrock, and Olivier Gruner –

I list these three as a unit because they arrive and leave the film
at the same time and share the same scenes. They comprise the group
that Nevsky calls in to storm Tagawa’s base (along with Dmitriy
Dyuzhev, an
acclaimed Russian actor who’s nevertheless unknown in the west) and
bring with them the majority of the action content. It’s what I’ve
come for, but the characters
feel tacked-on, as
though
they’re
indulging
a last-minute favor from Dacascos to appear in his movie. While
their segments remain the best in the picture, they
aren’t in
top form:
Gruner’s acting is somehow worse than usual, and weapons
specialist
Cynthia Rothrock inexplicably
looks like a complete amateur when handling a pair of batons.

With the utilization of this ultimate gathering of B-movie dragons
falling way short of hopes, do any other parts of the movie stack up?
Well, I’ve seen worse first-time directors than Dacascos, who
proves he can at least craft a professional-looking feature. The
problem is that his run-of-the-mill style works against a picture
whose adrenaline spikes never reach higher than “meh.” I would’ve
been more entertained by a big disasterpiece with an unpredictable
storyline and actors imploding under crazy direction. As is, Showdown
in Manila
and its paint-by-the-numbers plot have nothing wrong
with them other than the disappointment they generate. I’d rather
have seen director Dacascos drop all his plates in spectacular
fashion than realize that, even with all he had going for him, the
best he could do was something I’ll have forgotten about in a week.

With literally nothing going for it other than the opportunity of
seeing some of its stars in the same action scene, I can’t
recommend this film with any kind of enthusiasm. As always, fans of
the stars might want to pick it up to complete their libraries, but
everyone else can treat it mildly.

Source

Showdown in
Manila

(2016)
Directed
by

Mark Dacascos
Written
by

Craig Hamann (Boogie
Boy
),
Alexander Nevsky (story), Mark Dacascos (story)
Starring
Alexander Nevsky (Moscow
Heat
),
Casper Van Dien (Starship
Troopers
),
Cary-Hiroyuki Tagawa (Mortal
Kombat
),
Tia Carrere
Cool
costars:

Mark Dacascos, Matthias Hues (No
Retreat, No Surrender 2: Raging Thunder
),
Don Wilson (Bloodfist
series), Cynthia Rothrock (China
O’Brien
series),
Olivier Gruner (Angel
Town
),
Dmitriy Dyuzhev (The
Island
).
World champion martial artist Emanuel Bettencourt (Kebab
Connection
)
plays one of the lead villain’s bodyguards, as does Filipino action
star and Olympic taekwondoka Monsour Del Rosario (Bloodfist
II
).
There’s
also a surprising amount of critically-acclaimed
Filipino stars in various supporting roles, including Iza Calzado
(Bliss),
Mon Confiado (Heneral
Luna
),
and Jake Macapagal (Metro
Manila
).
Content
warning:

Human trafficking, violence towards women
Copyright
Hollywood Storm / ITN Distribution

A Timeline of Low-Budget & Direct-to-Video Filmmaking [Martial Arts Subgenre]

Since
no such thing seems to exist yet,
I decided to lay a foundation. This chronology is undoubtedly
incomplete, but I’ve tried to mention all events that stand out to
me and ones that would probably stand out to others. To the best of
my knowledge, all information is accurate.

March
23, 1987 – The film production &
distribution
company Imperial Entertainment Corp. is founded. One of the first
studios to focus primarily
on
low-budget action features, its releases include Cynthia
Rothrock’s Lady
Dragon
,
Jerry
Trimble’s Breathing
Fire
,
and Don
Wilson’s Red
Sun Rising
.

August
18, 1988 – The
taekwondo-themed action feature
Miami
Connection

receives a limited theatrical release and subsequently bombs, almost
bankrupting star/producer Y.K. Kim. Over 24 years later, mounting
cult
fame inspires
a re-release
for the film on DVD.

1989
– Joseph
Merhi and Richard Pepin found PM Entertainment Group, Inc. – the most
prolific producer of direct-to-video action and martial arts fare of
the 1990s.

February
24, 1989
American
Ninja 3: Blood Hunt

receives a limited theatrical release before being sent to video.
It’s the first time an installment to
a major martial arts franchise receives anything less than a wide
debut.

February
1990 – Martial
arts legend Cynthia
Rothrock makes her solo debut in the U.S. with China
O’Brien
.
Rothrock would subsequently become one of the most prolific
low-budget action heroes and the single
most
successful female martial arts star of the American film market.

February
23, 1990 – Kickboxer
Olivier
Gruner debuts in Angel
Town
,
a movie about warring gangs. Ironically, a gang brawl breaks out at a
California drive-in during a screening.

April
12, 1990
– Film
production company Cine Excel Entertainment is founded by director
David Huey. Its first U.S. release, American
Streetfighter
,
premieres about two years later on video and is one of the first
starring vehicles of kickboxer
Gary
Daniels.

March
4, 1991
– The
Hong
Kong-based Seasonal
Film Corporation’s No
Retreat, No Surrender

series goes DTV with
its third installment, Blood
Brothers
.
Keith W. Strandberg returns as writer, but director Corey Yuen is
replaced by Lucas Lowe. Karate star Keith Vitali makes his debut as a
leading man.

December
18, 1991 – Pro kickboxer Don “The Dragon” Wilson,
America’s most prolific DTV action hero, makes his video debut with
Ring
of Fire
.

1992
– The film production
company
Nu Image, Inc. is founded by Avi and Danny Lerner, Trevor Short, and
Danny Dimport. Four years later, a subsidiary called Millennium Films
is launched. Producing both theatrical and DTV fare, their output
over the years has included the Undisputed
and
Ninja
series.

February
7, 1992 – Michael Worth makes his action film debut in Final
Impact
,
becoming the first martial arts action hero created by PM
Entertainment. Worth is also the first martial arts star to debut on
the video circuit, without any prior work in theatrical or
international markets.

July
16, 1992
– The release of Tiger
Claws
,
one of the first films of the subgenre to feature Chinese martial
arts over karate and kickboxing. Star Jalal Merhi had attempted the
same with his previous vehicle, Fearless
Tiger
,
but this wouldn’t receive a U.S. release until 1994.

August
20, 1992
– U.S.
video premiere of Martial
Law II: Undercover
,
the first martial arts vehicle of star Jeff Wincott.

October
14, 1992
– Director
Isaac Florentine releases his first U.S. production, Desert
Kickboxer
.

November
6, 1992 – Billy Blanks makes his starring debut in Talons
of the Eagle
,
which enjoys
a limited release before going to video.

March
3, 1993
American
Samurai

premieres in
the U.S. on video.
Mark Dacascos co-stars in his first substantial martial
arts-themed role.

May
5, 1993
Shootfighter:
Fight to the Death
is
released, becoming
the
first U.S.
starring
vehicle of Hong
Kong
action
staple
Bolo Yeung.

July,
1993 – At age 13, Ted Jan Roberts makes his video debut in Magic
Kid
.
To date, he is the youngest martial arts action hero of
the western hemisphere to
have a substantial solo career.

March
1, 1996 – Almost eight years after the release of the cult hit
Bloodsport,
its sequel The
Last Kumite

premieres via a limited theatrical release. With the exception of one
supporting cast member, no one who worked on the original had a hand
in the sequel.

December
8, 1998
– The
release of Champions,
the first U.S. action
film
based on mixed martial arts competition.

February
9, 1999
– Jean-Claude
Van Damme’s Legionnaire
unexpectedly becomes the star’s first DTV release. With a $35 million
budget (adjusted: $52.5 million), it’s officially one of the most
expensive releases of the subgenre.

2002
– PM
Entertainment folds. Its catalog of over 150 features and two TV
shows is acquired for
distribution by
Echo Bridge Home Entertainment.

November
23, 2004 – Unstoppable
becomes the first Wesley Snipes action vehicle to go DTV, following a
limited theatrical release.

2005
– Nicholas Chartier and Dean Devlin found Voltage Pictures, whose
output includes the
DTV rleases
Puncture
Wounds
,
Lady
Bloodfight
,
and Eliminators.
In a Variety
interview
four years later, Chartier describes
his business strategy of marketing DTV action flicks as a means to
pay for higher-budgeted theatrical productions.

May
31, 2005 – The
DTV action-thriller Submerged is released, and the Uruguayan
national government subsequently threatens legal action against the producers for
its embarrassing
portrayal of the
country.

December
27, 2005 – Multinational conglomerate Sony first becomes a major
player in the DTV action
scene when its subsidiary, Sony Pictures Home Entertainment, releases
Black
Dawn
.

2008
– The low-budgeted Money
Fight

(aka The
Red Canvas
,
aka Art
of Submission
)
becomes the first film to receive an “off-planet” premiere
aboard the International Space Station.

April
28, 2009
– Hector
Echavarria releases his MMA-themed
passion
project, Never
Surrender.

For
the next several years, Echavarria
is
the primary producer of movies capitalizing on the MMA craze by
heavily incorporating cage fighting into his plots
and featuring pro fighters in supporting roles.

February
2, 2010 – The Michael Jai White vehicle Black
Dynamite

is released on DVD, following a limited theatrical release. An
instant cult hit, it
wins widespread acclaim and the “Best Film” award at the
Seattle International Film Festival.

February
2, 2010
Universal
Soldier: Regeneration

is released on DVD in the U.S. Widely regarded as superior to its
predecessor, its
star

Jean-Claude
Van Damme –
reportedly
turned down the opportunity to appear in Sylvester Stallone’s
blockbuster The
Expendables

in favor of focusing on the
smaller production.

June
1, 2010
Undisputed
III
is
released to cult acclaim. The vehicle catapults star Scott Adkins to
martial arts superstardom, and the movie is quickly
regarded as a benchmark of martial arts filmmaking.

August
2011 – DTV movie veteran and pro fighter Joe Son is convicted of
torture and sentenced to life in prison. Two
months later,
he receives
another 27 years for the voluntary manslaughter of a
cellmate.

May
6, 2015
– The
Dolph Lundgren/Tony Jaa collaboration Skin
Trade

is released in the U.S. via the internet. In addition to being Jaa’s
first American production to not be released theatrically, it’s the
first U.S. martial arts film to have an online premiere.

April
14, 2016 – The
Martial Arts Kid

becomes the first full-length martial arts movie produced via crowd
funding.

Review: Soft Target (2006)

“We both want to forget what we do at the
end of the day”

image

Crooked (AKA Soft Target) is a
film from late in Don Wilson’s prime career – that is, from before his hiatus
around the turn of the decade. Overall, it goes to show that it wasn’t a bad
time for him to take a break, not necessarily because he no longer had the
stuff but because the DTV action circuit seemed to have left him behind. The
movie is weak sauce, for despite its strong supporting cast, it’s lacking in
style and substance. I’ll say it now: this one’s for completionists, only.

The story: Two police detectives – Tyler
(Wilson) and Yordan (Olivier Gruner) – are assigned to protect a witness to an
underworld murder (Diana Kauffman), but their efforts are hampered by internal
corruption.

The film’s primary selling point is its
cast, which also includes Gary Busy, Martin Kove, and Fred Williamson. However,
don’t get your hopes up: while Wilson and Gruner make the most of their team-up,
Williamson and Kove have a combined screentime of maybe five minutes and Busey
doesn’t even get in on the action. Personally, I was expecting this – Martin
Kove has particularly been irritating me for a long time with his reluctance to
do fight scenes – but it could be very disappointing to someone who thinks
they’ve come across a B-movie supergroup. That’s not to take away from the
memorable performances delivered by lead villain Michael Cavalieri and Martin
Morales as a flamboyant pimp, and Gary Busy manages to be memorable, but it’s not
what viewers wanted to see.

Speaking of things unwanted, I’m sorry to
say that the movie is ugly in more ways than one. Production-wise, the movie toes
the line of an indie feature. The way it’s been shot makes me think it had a
very rushed schedule: endless nighttime scenes, shaky camerawork, inharmonious
editing, and a lot of ADR lines. All of this amplifies the sleazy tone of the
story, which really turned me off. Few of the characters are endearing, with
Yordan in particular doing all he can for the viewer not to like him. Violence
against female characters and sexist dialogue is recurrent. As usual, Don
Wison’s character is a paragon of morality, but he’s on in his own in that
regard, amidst all of these other slimy critters. Basically, this isn’t the
kind of film you watch to put you into a good mood.

The same is generally true for the action
content, though it has its redeeming qualities and ends up being the one
passable aspect of the film. There are four shootouts and five full-length fistfights,
and while the former are overlookable, the latter can be decent. Don Wilson and
Olivier Gruner don’t fight each other and that’s pretty disappointing
(especially when the film teases it), but they do fight alongside each other and
that’s pretty cool. A direct comparison favors Gruner: even though both
performers are former pro kickboxers and have been listed among the authentic
“tough guys” of martial arts movies, Wilson plays his fights very safe with
relatively slow choreography and a lot of cuts, whereas Gruner performs a more
dynamic and rougher-looking style of brawl that more accurately conveys his
real-life strength and ability.

Crooked isn’t a film for casual martial arts fans. It *might* pass for a
slow night on cable, but that’s only if you really want to see the two lead
stars and are tolerant about shortcomings.

image

Crooked (AKA Soft Target) (2006)
Directed by Art Camacho (Assassin x)
Written by William C. Martell (Virtual Combat)
Starring Don Wilson (Out for Blood), Olivier Gruner (Nemesis), Diana Kauffman (The Mailman), Gary Busy (Lethal Weapon)
Cool costars: Michael Matsuda (X-Treme Fighter), Jason Yorrick (Transmorphers: Fall of Man), Eric
Perrodin (Street Crimes), Joe Perez (Silicon Towers), McKay Stewart (Vampire Assassin), Glen Levy (Confessions of a Pit Fighter), and Sam
Hargrave (Unlucky Stars) are
real-life martial artists and play various fighters throughout the film. If I
were in a better mood, I’d include Fred Williamson and Martin Kove on here
without a qualifier, but I’m too irritated with them right now.
Title refers to: (SPOILER) The
actual title is a reference to Gary Busey’s character, who’s a crooked cop. Its
alternate title presumably refers to Diana Kauffman’s character, who’s an
at-risk target of the villain.
Potential triggers: Violence towards
women, sexist dialogue
Copyright Soft Target, Inc.