Mini Review: Acts of Vengeance (2017)

Photo source

Acts of Vengeance
is a ham-fisted but satisfying revenge thriller about a lawyer
(Antonio Banderas) searching for his family’s killer. With
this, director Isaac
Florentine continues to revert to his old style
of producing simple vehicles for any action hero he can get his hands
on. The simplicity
might just
be a matter of the movie
failing to
live
up to its artistic
aspirations, but the result is an enjoyable little brawler with a
touch
of class.

One
of the story’s
selling points is Banderas taking
a vow of silence for the
duration of his quest, but
this is undercut by (1) not happening until after the first 30
minutes and (2) him continuing to narrate the story throughout.
Nevertheless, our star
is well-utilized here, conveying intensity and performing amazingly
well in the fight scenes, particularly in
his showdown with Karl Urban.
Tim Man is quickly becoming
one of the best fight
choreographers in history, showing that he can make anybody look
their absolute best.

Socially,
the movie is very critical of cops. I don’t think this was the
makers’ intent, but the police are roundly portrayed as either
incompetent, apathetic, or murderously vindictive – justifying the
hero’s vigilante status. There’s also an attempt to paint
Banderas’ character as an immoral, get-anyone-off-at-any-cost
sort of attorney, but because this is only stated but not seen, the
balance the filmmakers sought just isn’t there. Personally, I don’t
mind.

Acts of Vengeance
is a worthy purchase
purchase for fans of early Florentine, before Scott Adkins became
his golden boy, and
also a strong initiation for Antonio Banderas into the martial arts
genre

Photo source

Acts of
Venegance

(2017)

Directed
by

Isaac Florentine (Undisputed
series)

Written
by

Matt Venne (White
Noise 2: The Light
)

Starring
Antonio Banderas (El
Mariachi

series),
Paz Vega (Sex
and Lucia
),
Karl Urban (Star
Trek

trilogy),
Johnathan Schaech (Legends
of Tomorrow
)

Cool
costars:

Raicho Vasilev (Spartacus
series) plays a Russian
combatant,
while director Isaac Florentine and choreographer Tim Man play
martial art instructors.

Content
warning:

Police brutality, violence towards women, implied child murder,
implied
child sexual abuse

Copyright
Stoic Productions, Inc. / Lionsgate

Mini Review: Fugitive Rage (1996)

“Are you here for a reason, or are you just here to play cute?”

image

Fugitive
Rage
is a disappointing little adventure with just
enough of a budget to look professional but not enough talent in the right
places. Its lead star, Alexander Keith (credited as Wendy Schumacher), once
described themselves as wanting to become “the female Van Damme,” but I’m sorry
to say that this movie isn’t even up to JCVD’s standards. It’s an action movie with bad action, and a weak attempt
at a feminist feature by people who definitely aren’t feminists.

The story: Sent to prison for the attempted murder of a mobster (Jay Richardson),
police officer Tara McCormick (Alexander) is offered her freedom by a shady
government agent (Tim Abell) in exchange for renewing her assassination
attempt.

The quality of the action is average, at best. The shootouts are so impersonal that you won’t care about them. There’s a goofy instance
where Tara hood-surfs a car until the vehicle inexplicably
crashes, but this too manages to be boring. This leaves us with the five fight scenes, but
their quality is no better. While Keith is a legitimate martial artist,
the brawls are plagued by a variety of problems: if they’re not poorly blocked
or clumsily edited, they’re painfully slow-moving or just feature bad
choreography. If you want to see Keith’s moves utilized a little more
gracefully, check out the Michael Dudikoff vehicle Counter Measures, but don’t get your hopes up for this one.

Dramatically, all of the performers do a decent job, and there’s even a little chemistry
between Keith and cellmate Shauna O’Brien. The problem is that the
boring screenplay demands so little of these performers that virtually anybody
could have played the characters. Surprises are few and innovation is
nonexistent, unless the clumsy attempts to turn this into a “girl power movie”
can be called clever. Director Fred Olen Ray and producer Jim Wynorski have
gone on record stating their condescending opinions on female representation in B-movies,
and the things they’ve decided to highlight in the movie reflect these. There’s
gratuitous nudity and sex, violence against women, recurrent sexist (and
racist) dialogue, lurid descriptions of violence, and a sadistic lesbian warden.
Aside from the fact that none of this is counterbalanced by simply having a powerful female lead character, such features give the film a mean-spirited
edge that’s too much for it to withstand. Despite its lazy pro-woman overtones,
Fugitive Rage disingenuously panders
to the 18-36 male demographic and suffers for it.

I can’t
recommend this one at all. Die-hard B-movie enthusiasts may find mild delight
in its corniness, but even they will wonder whether it was worth
digging out the old VCR for. Leave it be.

image

Fugitive Rage (1996)
Directed by Fred Olen Ray (Dinosaur Island)
Written by Dani Michaeli (SpongeBob SquarePants), Sean O’Bannon (Air Rage)
Starring Alexander Keith (as Wendy
Schumacher), Shauna O’Brien (Friend of
the Family
), Tim Abell (Soldier of
Fortune, Inc.
), Jay Richardson (Hollywood
Chainsaw Hookers
)
Cool costars: Katherine Victor (The Wild World of Batwoman) as Miss
Prince, the primmest gunwoman you’ll ever see.
Title refers to: The determination
of the incarcerated heroine to exact revenge on the mob boss.
Content warning: Prison violence,
violence against women, group violence, torture, sexist and racist dialogue,
graphic descriptions of domestic violence
Copyright Roxie/Rosie Ruby
Productions