Review: Boyka – Undisputed 4 (2016)

image

Photo source

When Boyka:
Undisputed
4 was released last
year, I decided not to see it
at once. Part of this decision is
attributable
to the hipster in me and the fact that it
would be a popular movie, but also because I just
wasn’t thrilled that it’d been made. I maintain that Undisputed
III: Redemption
ended the Yuri
Boyka story as well as it could, giving the character an open-ended
conclusion and
raising
the bar for martial arts action in
the process. I thought that
further installments could
only be weak cash-ins,
ignoring
the standard that Scott Adkins and Isaac Florentine had set. And you
know what? I was right.
On its own, B:U4
is an okay adventure with above-average action, but as the successor
to one of the most defining martial arts features of our era, it’s
a major disappointment.

The
story: After unintentionally killing an
opponent in
the ring,
Yuri Boyka (Adkins) travels back to Russia to offer his condolences
to the fighter’s wife (Teodora Duhovnikova). Upon finding her under
the thumb of a local kingpin (Alon Aboutboul), he demands to fight in
an underground tournament in exchange for her freedom.

To
be fair, the movie is better than I expected in at least one
department.
Upon finding out that it
wouldn’t actually be directed by Florentine but Todor Chapkonov –
maker
of really horrible TV features – I expected a big
step down in style and technical quality, but I’m happy to say that
this isn’t the case. Chapkonov mimics Florentine’s spaghetti
western style to the point that I wouldn’t have guessed it was
anyone else behind the camera. Thematically,
however, the movie is trouble,
beginning with the premise of having Boyka out of prison. It’s
initially as odd as seeing Dr.
Lecter outside of the asylum in Hannibal,
but the movie
makes nothing of this.
There’s nothing to allude to Boyka’s incarceration, no
fish-out-of-water moments, and
no
acknowledgment that he’s irrevocably set apart from society.
Returning writers David White and Boaz Davidson had an
opportunity to expand the
character in unique ways, but instead
treat
the
movie
as they would any other story about a lone wolf tough-guy. What’s
the point?

Such
uninspired writing is the film’s biggest weakness. It really is but
another bland action yarn that just happens to be
part of
a revered franchise. Boyka does nothing
I didn’t expect of him
(beyond
uncharacteristically giving a darn about someone he’s killed),
and Alon Aboutboul’s villain is almost entirely predictable and
bland. Teodroa  Duhovnikova’s
grieving widow is a sexy lamp. Without
spoiling, the movie has Boyka’s story not come
full circle so
much as regressing – essentially keeping him in a place where it’ll
be convenient to add on future installments.

The
film’s strongest aspect is its action content, which – as always
– is
primarily
hand-to-hand fighting. The fact that B:U4
might fail to
live
up to its predecessor isn’t that important, as I’m happy with the
general standard that Adkins & Co. have created.
I enjoyed the juicy role given to genre staple Brahim
Achabbakhe and
appreciate seeing him make an impression both dramatically and
physically. Emilien De Falco is
great as Boyka’s doomed opponent. Andreas Nguyen and fight
choreographer Tim Man steal the show with their two-on-one match.
Disappointingly, these
and almost all other
fighters come across as interchangeable, rarely fighting with
distinguishable styles and even looking very
similar.
Martyn Ford has
a decent couple of matches and is easily the most intimidating Big
Bad of the series, and yet he’s also the most boring for the
complete lack of substance given to his two-scene character. Again,
I like the action content as a whole, but it pales to Adkins’ past
effort in both style and substance.

The
strengths of the fight scenes make it impossible for me to not
recommend the movie at all, but know that they’re the
only thing
it has going for it. I
say the Undisputed
franchise should’ve ended
gracefully
eight years ago, but I also think this unwanted addition had
the potential to
be a lot better. Thus, unless you’re a Scott Adkins completionist
or a major fan of Yuri Boyka, treat this as a rental.

image

Photo source

Boyka:
Undisputed 4

(2016)

Directed
by

Todor
Chapkonov (True
Bloodthirst
)

Written
by

Boaz Davidson (story), David N. White

Starring
Scott Adkins, Teodora
Duhovnikova (Corpse
Collector
),
Alon Aboutboul (The
Dark Knight Rises
),
Brahim
Achabbakhe (Dragonwolf)

Cool
costars:

Martyn
Ford (Accident
Man
),
Emlien De Falco (Dragonquest),
Andreas Nguyen (Luc
Van Tien
),
Tim
Man (Ninja: Shadow
of a Tear
),
Trayan Milenov-Troy (Undisputed
2: Last Man Standing
),
and
Velizar
Peev (Derailed)
all
play combatants. Bashar Rahal (Direct
Contact
)
also appears but doesn’t get in on the action.

Content
warning:

Violence towards women, sexual assault

Copyright
Millennium Films / Universal Pictures Home Entertainment

A Timeline of Low-Budget & Direct-to-Video Filmmaking [Martial Arts Subgenre]

Since
no such thing seems to exist yet,
I decided to lay a foundation. This chronology is undoubtedly
incomplete, but I’ve tried to mention all events that stand out to
me and ones that would probably stand out to others. To the best of
my knowledge, all information is accurate.

March
23, 1987 – The film production &
distribution
company Imperial Entertainment Corp. is founded. One of the first
studios to focus primarily
on
low-budget action features, its releases include Cynthia
Rothrock’s Lady
Dragon
,
Jerry
Trimble’s Breathing
Fire
,
and Don
Wilson’s Red
Sun Rising
.

August
18, 1988 – The
taekwondo-themed action feature
Miami
Connection

receives a limited theatrical release and subsequently bombs, almost
bankrupting star/producer Y.K. Kim. Over 24 years later, mounting
cult
fame inspires
a re-release
for the film on DVD.

1989
– Joseph
Merhi and Richard Pepin found PM Entertainment Group, Inc. – the most
prolific producer of direct-to-video action and martial arts fare of
the 1990s.

February
24, 1989
American
Ninja 3: Blood Hunt

receives a limited theatrical release before being sent to video.
It’s the first time an installment to
a major martial arts franchise receives anything less than a wide
debut.

February
1990 – Martial
arts legend Cynthia
Rothrock makes her solo debut in the U.S. with China
O’Brien
.
Rothrock would subsequently become one of the most prolific
low-budget action heroes and the single
most
successful female martial arts star of the American film market.

February
23, 1990 – Kickboxer
Olivier
Gruner debuts in Angel
Town
,
a movie about warring gangs. Ironically, a gang brawl breaks out at a
California drive-in during a screening.

April
12, 1990
– Film
production company Cine Excel Entertainment is founded by director
David Huey. Its first U.S. release, American
Streetfighter
,
premieres about two years later on video and is one of the first
starring vehicles of kickboxer
Gary
Daniels.

March
4, 1991
– The
Hong
Kong-based Seasonal
Film Corporation’s No
Retreat, No Surrender

series goes DTV with
its third installment, Blood
Brothers
.
Keith W. Strandberg returns as writer, but director Corey Yuen is
replaced by Lucas Lowe. Karate star Keith Vitali makes his debut as a
leading man.

December
18, 1991 – Pro kickboxer Don “The Dragon” Wilson,
America’s most prolific DTV action hero, makes his video debut with
Ring
of Fire
.

1992
– The film production
company
Nu Image, Inc. is founded by Avi and Danny Lerner, Trevor Short, and
Danny Dimport. Four years later, a subsidiary called Millennium Films
is launched. Producing both theatrical and DTV fare, their output
over the years has included the Undisputed
and
Ninja
series.

February
7, 1992 – Michael Worth makes his action film debut in Final
Impact
,
becoming the first martial arts action hero created by PM
Entertainment. Worth is also the first martial arts star to debut on
the video circuit, without any prior work in theatrical or
international markets.

July
16, 1992
– The release of Tiger
Claws
,
one of the first films of the subgenre to feature Chinese martial
arts over karate and kickboxing. Star Jalal Merhi had attempted the
same with his previous vehicle, Fearless
Tiger
,
but this wouldn’t receive a U.S. release until 1994.

August
20, 1992
– U.S.
video premiere of Martial
Law II: Undercover
,
the first martial arts vehicle of star Jeff Wincott.

October
14, 1992
– Director
Isaac Florentine releases his first U.S. production, Desert
Kickboxer
.

November
6, 1992 – Billy Blanks makes his starring debut in Talons
of the Eagle
,
which enjoys
a limited release before going to video.

March
3, 1993
American
Samurai

premieres in
the U.S. on video.
Mark Dacascos co-stars in his first substantial martial
arts-themed role.

May
5, 1993
Shootfighter:
Fight to the Death
is
released, becoming
the
first U.S.
starring
vehicle of Hong
Kong
action
staple
Bolo Yeung.

July,
1993 – At age 13, Ted Jan Roberts makes his video debut in Magic
Kid
.
To date, he is the youngest martial arts action hero of
the western hemisphere to
have a substantial solo career.

March
1, 1996 – Almost eight years after the release of the cult hit
Bloodsport,
its sequel The
Last Kumite

premieres via a limited theatrical release. With the exception of one
supporting cast member, no one who worked on the original had a hand
in the sequel.

December
8, 1998
– The
release of Champions,
the first U.S. action
film
based on mixed martial arts competition.

February
9, 1999
– Jean-Claude
Van Damme’s Legionnaire
unexpectedly becomes the star’s first DTV release. With a $35 million
budget (adjusted: $52.5 million), it’s officially one of the most
expensive releases of the subgenre.

2002
– PM
Entertainment folds. Its catalog of over 150 features and two TV
shows is acquired for
distribution by
Echo Bridge Home Entertainment.

November
23, 2004 – Unstoppable
becomes the first Wesley Snipes action vehicle to go DTV, following a
limited theatrical release.

2005
– Nicholas Chartier and Dean Devlin found Voltage Pictures, whose
output includes the
DTV rleases
Puncture
Wounds
,
Lady
Bloodfight
,
and Eliminators.
In a Variety
interview
four years later, Chartier describes
his business strategy of marketing DTV action flicks as a means to
pay for higher-budgeted theatrical productions.

May
31, 2005 – The
DTV action-thriller Submerged is released, and the Uruguayan
national government subsequently threatens legal action against the producers for
its embarrassing
portrayal of the
country.

December
27, 2005 – Multinational conglomerate Sony first becomes a major
player in the DTV action
scene when its subsidiary, Sony Pictures Home Entertainment, releases
Black
Dawn
.

2008
– The low-budgeted Money
Fight

(aka The
Red Canvas
,
aka Art
of Submission
)
becomes the first film to receive an “off-planet” premiere
aboard the International Space Station.

April
28, 2009
– Hector
Echavarria releases his MMA-themed
passion
project, Never
Surrender.

For
the next several years, Echavarria
is
the primary producer of movies capitalizing on the MMA craze by
heavily incorporating cage fighting into his plots
and featuring pro fighters in supporting roles.

February
2, 2010 – The Michael Jai White vehicle Black
Dynamite

is released on DVD, following a limited theatrical release. An
instant cult hit, it
wins widespread acclaim and the “Best Film” award at the
Seattle International Film Festival.

February
2, 2010
Universal
Soldier: Regeneration

is released on DVD in the U.S. Widely regarded as superior to its
predecessor, its
star

Jean-Claude
Van Damme –
reportedly
turned down the opportunity to appear in Sylvester Stallone’s
blockbuster The
Expendables

in favor of focusing on the
smaller production.

June
1, 2010
Undisputed
III
is
released to cult acclaim. The vehicle catapults star Scott Adkins to
martial arts superstardom, and the movie is quickly
regarded as a benchmark of martial arts filmmaking.

August
2011 – DTV movie veteran and pro fighter Joe Son is convicted of
torture and sentenced to life in prison. Two
months later,
he receives
another 27 years for the voluntary manslaughter of a
cellmate.

May
6, 2015
– The
Dolph Lundgren/Tony Jaa collaboration Skin
Trade

is released in the U.S. via the internet. In addition to being Jaa’s
first American production to not be released theatrically, it’s the
first U.S. martial arts film to have an online premiere.

April
14, 2016 – The
Martial Arts Kid

becomes the first full-length martial arts movie produced via crowd
funding.